Monday, March 18, 2019

Cubism :: essays research papers

Cubism (a refer suggested by Henri Matisse in 1909) is a non- object lensive approach to painting developed before in France by Pablo Picasso and Georges Braque around 1906. The early, "pre-Cubist" period (to 1906) is characterized by emphasizing the demonstrate of construction, of creating a pictorial rhythm, and converting the represented forms into the essential geometric shapes the cube, the sphere, the cylinder, and the cone. Between 1909 and 1911, the depth psychology of human forms and still lifes (hence the name -- Analytical Cubism) led to the creation of a cutting stylistic system which allowed the artists to transpose the three-dimensional subjects into the flat images on the surface of the canvas. An object, seen from various points of view, could be reconstructed using particular differentiate "views" which overlapped and intersected. The result of such a reconstruction was a summation of secernate temporal moments on the canvas. Picasso called thi s reorganized form the "sum of destructions," that is, the sum of the fragmentations. Since excuse supposedly interferred in purely intellectual perception of the form, the Cubist pallet was restricted to a narrow, almost monochromatic scale, dominated by grays and br owns. A new phase in the development of the style, called Synthetic Cubism, began around 1912. In the center of the painters attention was now the construction, not the analysis of the represented object -- in other words, creation instead of recreation. Color regained its decorative track down and was no longer restricted to the naturalistic description of the form. Compositions were still unchanging and centered, but they lost their depth and became almost abstract, although the subject was still unmistakable in synthetic, simplified forms. The construction requirements brought about the introduction of new textures and new materials (cf. paper collages). Cubism lasted till 1920s and had a profound effec t on the art of the avant-garde. Russian painters were introduced to Cubism through the works bought and displayed by wealthy patrons ilk Shchukin and Morozov. As they did with many other movements, the Russians interpreted and transformed Cubism in their own unique way. In particular, the Russian Cubists carried even further the abstract potential of the style. Some of the most outstanding Cubist works came from the brush of Malevich, Popova, and Udaltsova.

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