Hip-Hop’s Betrayal of Black Women Essay

Baby Mommas, Chicken Heads, or Bitches, (McLune 214) argon some of the most misogynistic talking to found in articulatio coxae-Hop today. Jennifer McLune, a librarian, activist, and writer living in Washington. D. C. is taking a stance a impinge onst the misogyny. Hip-Hops Betrayal of sable Wo workforce by Jennifer McLune is a response article to Kevin Powells article, Notes of a Hip Hop Head. In his article, Powell poses poverty as the explanation for the sexism found in hip-hop today. McLune believes that, Powells explanations of hip hop are one bureau to silence those that are critiquing it.McLune begins to explain that Kevins argument, completely ignores the fact that women, too, are raised in this environment of poverty and madness, but have still to produce the same negative and hateful representation of vague men (McLune 214). McLune believes that Artists and role models should take more responsibility with their music and what they represent. McLune argues that a gi ve out of conscious artists, such as Common, are too eager to gain acceptance by popular mainstream artists. Thus, causing them to forsake their morals and urge mainstream artists for their accomplishments.Mclune goes on to say that artists should embody respect between genders through their music. She argues that glowering female rappers are just as much to blame as their male peers. She encou hydrophobias women to speak in a collective voice, as to guard themselves, instead of macrocosm hyper feminine and hyper sexual to please men. (McLune 215) Powell adds that hip-hop has created a way for shadowy people to win, by creating something out of absolutely nothing. McLune follows with a rebuttal stating if sexism is the route to mainstream acceptability, and that is what it takes to win, than all black women are the losers.McLune demands acknowledgement from apologists, acknowledging that black women are in fact black people to. She said, when someone attacks a woman in the bla ck community, black people should unite and do adequately as though it was an attack on any process in the black community. McLune challenges Hip-hop by refusing to be a dupe of it and refuses to reward it with her money or her attention. She strongly believes that hip-hop should fail until it does unspoilt by every black woman. McLune closes by pleading with the black community.She wants to look on every black person condemn woman-hating as the enemy of the finished black community. If and only then, hip-hop would be forced to change. However as it stands, Mclune does not seem to have much faith in the black community. She believes that rappers are more concerned with money and black women are being thugged and rubbed all the way to the bank (McLune 217). A Summary of Violent Media is secure for Kids Gerard Jones, a writer of comics, screen plays, and cartoons, takes quite the stance on violence in media.In his article Violent Media is Good for Kids, Jones discusses lurid m edia and its positive impact on kids. When reflecting on his own childhood, whilst reading Marvel idiotics, he baffles plenty with the following statement, They were good for me because they were juvenile. And violent (Jones 230). Jones favorite Marvel Comic character was bulk large. As a child, Hulk became Jones fantasy self. He describes Hulk as being this overgendered, unsocial being that was eternally misunderstood. For some quaint reason, Jones found compatibility and comfort in Hulk.In his 30s, Jones wrote various meet movies and comic books. Shortly thereafter, he found himself helping other children by building off of the experiences they were already enduring. He writes about a new-fangled girl named Emily whose parents were separating. Emily began to worry both her teacher and her mom when she started writing violent stories. Jones counseled her mother and helped her further develop her daughters stories. Through doing so, he claims, that this young girl was able to become more self-controlled and socially fit (Jones 232).Jones argues that people are able to pull themselves out of emotional traps by immersing themselves in violent stores. A child pretending to have supernatural powers helps them conquer the feelings of powerlessness that inevitably comes with being so young and nice (Jones 231). He argues that children will feel rage, even the sweetest children. While immersing themselves in fanciful and fantasy like combat children are able to express the rage theyve always been forced to suppress.Jones encourages parents to not be so concerned with their children suppuration up into murderous human-beings. Instead, realizing that violent media is necessary and if taken away they whitethorn grow up to be easily manipulated. Jones understands that violent media is not always harmless that it has impacted peoples lives negatively. Jones argues that violent media helped hundreds of people for every one its hurt (Jones 232). He said we are not sheltering our children from violence, but rather, power and selfhood.